still life with porcelain bowl and nautilus cup

© 2021 National Gallery of Art   Notices   Terms of Use   Privacy Policy. 5 out of 5 stars (4,139) 4,139 ... Willem Kalf : "Pronk Still Life with Holbein Bowl, Nautilus Cup, Glass Goblet and Fruit Dish" (1678) - Giclee Fine Art Print TheIbisPrintGallery. He was previously thought to have been born in 1622, but H. E. van Gelder's important archival research has established the painter's correct place and date of birth. (painter), Willem Kalf ca. 1662. 2]   [fig. Late Ming Kraak Porcelain, the VOC, and 17th Century Dutch Still Life Paintings June 18, 2018 Pronkstilleven with Holbein Bowl, Nautilus Cup, Glass Goblet and Fruit Dish, Willem Kalf (Rotterdam), 1678. Further, light is characteristically used to enhance the play of glints and reflections cast by the objects. de Imágenes del museo It has been lined with the tacking margins trimmed, although cusping present along all edges suggests that the original dimensions have been retained. 62.292; see Sam Segal, A Prosperous Past: The Sumptuous Still Life in the Netherlands, 1600–1700 [Delft, 1988], 195, 249, no. distintos los considerados como fines académicos o It was later in the collection of Count Alexis Orlov-Denisov in St. Petersburg, while in 1911 it was in the collection of Michel van Gelder at the château de Zeecrabbe near Brussels. 140a. Export from an object page includes entry, notes, images, and all menu items except overview and related contents. alquiler de material fotográfico de todas las obras de In Kalf’s own hand the rind has a three-dimensional presence as it twists and turns in space. Similar comparisons can be made with other paintings containing identical objects, such as the blue-and-white Chinese bowl in Kalf’s Still Life with Nautilus Cup in the Fundación Colección Thyssen-Bornemisza, Madrid. ), they determined after restoration that it was an “old copy.” Agnew’s subsequently sold the painting at auction on August 18, 1970. This Still Life with Nautilus Cup must be one of those workshop replicas. ), they determined after restoration that it was an “old copy.” Agnew’s subsequently sold the painting at auction on August 18, 1970. Although these sources provide some insight into the character of his art, they say nothing about his workshop practice. Kalf was born into a prosperous patrician family in … While the turban shell was especially prized for its mother-of-pearl luminosity, its shape, with the symbolic association with a horn of plenty, made it a particularly appropriate focal point for Kalf’s image of wealth and prosperity. Closed, East Building Its edges are carefully wrought to show both the irregular cut of the knife and the thickness of the skin. From Rijksmuseum, Willem Kalf, Still Life with a Chinese bowl, a Nautilus Cup and Fruit (1662) More from This Artist Similar Designs. Like the sugar bowl, the Herat rug with large floral motifs and the nautilus shell with its silver-gilt mounts are objects found in other still lifes by Kalf, although always depicted with small variations. 6th St and Constitution Ave NW Sir Geoffrey Agnew, in a letter dated January 9, 1976, in NGA curatorial files, indicates that after Agnew's acquired this painting at Sotheby’s in 1964 (Sotheby’s sale catalog, March 11, 1964, lot 70, repro. On occasions he used settings that included barely visible niches in the background, against which he set fruit and objects illuminated with a soft, graduated light falling from one side. Although the blue-and-white Wan-Li porcelain bowl, decorated with colored biscuit figures representing the eight immortals of Taoist belief, is already found in Kalf’s paintings from the early 1660s, most prominently in his Still Life with Nautilus Cup of 1662 (Fundación Colección Thyssen-Bornemisza, Madrid),[10]  [10]For an illustration, see Ivan Gaskell, Seventeenth-Century Dutch and Flemish Painting: The Thyssen-Bornemisza Collection (London, 1990), no. Kitchen. It was added after the paint had dried, presumably by another hand. A clementine in a porcelain bowl, a nautilus cup, a roemer, two glasses, a knife, a peeled lemon on an ornamental carpet on a table Willem Claesz Heda (Dutch, 1594-1680) Facebook Twitter Pinterest su Colección Permanente, así como de las obras de la Form is simplified, edges give no hint of the rind’s thickness, and paint highlights sit on the surface, doing little to create the sense of texture. [2] The name of Col. The fruit and smaller objects such as watches, nutshells, peach stones and grape pips are generally presented slightly separated from the principal motif on one corner of the table. It was created by Willem Kalf. He does not, however, discuss the workshop problem. The paint was applied over a smooth, thin beige ground in thin, fluid layers, with liquid washes and full-bodied pastes employed to simulate surface texture. Still Life with a Porcelain Bowl and Nautilus Cup is an artwork on USEUM. For a discussion of artists working in Kalf’s manner, see Ima Blok, “Willem Kalf,” Onze Kunst 35 (January–June 1919): 143– 145; and Fred G. Meijer, “In der Nachfolge von Willem Kalf,” in Gemaltes Licht: Die Stilleben von Willem Kalf 1619–1693, ed. requerirá un mínimo de seis semanas para estar listo. 135, dates this painting to the late 1660s because of the dark tonality and the prevalence of gold tonalities in the work. Lucius Grisebach, Willem Kalf, 1619–1693 (Berlin, 1974), attributes 147 paintings unreservedly to Kalf. See more ideas about still life, nautilus shell cup, nautilus. Item not examined outside of mounting Still Life with Drinking-Horn Greeting Card ... Willem Kalf -Rotterdam, 1619-Amsterdam, 1693-. ), Anonymous Artist B6, B7, B8. Willem Kalf. William B. Jordan, trans. If the images are being used for purposes other than those described above, prior written permission from the Fundación Colección Thyssen-Bornemisza is required. Open Access image. Para solicitar imágenes o permisos con fines ‘Still-Life with Porcelain and a Nautilus Cup’ was created in 1660 by Willem Kalf in Baroque style. He gives no reason for having determined this work to be a copy. (archivo.fotografico@museothyssen.org). the unusual nautilus cup appears only later in the decade. Doubts about the attribution have also been expressed verbally by Ingvar Bergström, Sam Segal, Claus Grimm, and Fred G. Meijer. [4]  [4]Technical analysis shows that the signature was a later addition. Still life with porcelain bowl, Nautilus Cup and Fruit (1662), Willem Kalf The enchantment with Asian luxury goods is also represented on Dutch still life paintings. Still-Life with an Aquamanile, Fruit, and a Nautilus Cup, 1660 Still-Life with Porcelain and a Nautilus Cup , 1660 Still life with glassware and porcelain covered bowl , 1662 10, 74–77. Willem Kalf - Pronk Still Life with Holbein Bowl, Nautilus Cup, Glass Goblet and Fruit Dish - Google Art Project.jpg 6,202 × 7,481; 9.66 MB Willem Kalf - Still-life (detail) - WGA12091.jpg 590 × 800; 53 KB A still life with a roemer of white wine, a nautilus shell cup with silver-gilt mounts, a two handled silver cup and cover, a porcelain bowl of grapes and various other fruits strewn about the table. Read our full Open Access policy for images. Log in to USEUM to download unlimited free images, send e-cards and interact with thousands … The Fundación Colección Thyssen-Bornemisza permits the images to be downloaded in high resolution from its website for private or educational/academic purposes, subject to the terms of use below. When an image owned by the Fundación Colección Thyssen-Bornemisza is reproduced, all reproductions or the list of photographic credits must include the following: the name of the artist, title, date, © Fundación Colección Thyssen-Bornemisza, Madrid. If the image is reproduced the user must send two free copies of the publication to the Rights Reproduction Department of the Fundación Colección Thyssen-Bornemisza. This Still Life with Nautilus Cup must be one of those workshop replicas. $16. Some of them would have belonged to collectors who loaned them to the artist so that he could depict them in his paintings. This canvas was auctioned in Amsterdam in 1778 and was thought to have previously belonged to Pieter van den Bogaerde. Note: Exhibition history, provenance, and bibliography are subject to change as new information becomes available. The turban shell, with its mother-of-pearl luminosity and symbolic association with a cornucopia, made it a particularly appropriate focal point for Kalf’s images of wealth and prosperity. Smooth surfaces were rendered with highlights blended wet-into-wet, while a thick paint and a fingerprint were used to texture the orange peel. He also lists various copies of these works, copies of lost originals, questionable works, and wrongly attributed paintings. In Kalf’s Still Life with a Chinese bowl, a Nautilus Cup and Fruit (1662), the glistening effects of light, texture, and color foreground Kalf’s aspiration, like other painters of the era, to outcraft the craftsmen of the precious objects he depicts—such as the Persian carpet on the table, silver tray, and Chinese porcelain sugar bowl. The objects are set on a table with a marble top and are arranged upright with only the occasional use of an oblique line for a plate or piece of fruit. Described in some publications as a sugar bowl, it has also been thought to be a punch bowl. para presentaciones, conferencias, trabajos escolares o de Hooch. Likewise, no mention is made of students, although some artists, particularly Jurriaen van Streek (1632–1687), come so close to him in style and composition that it seems improbable that they did not spend some time in his studio. 1632 - 1687 Amsterdam , A still life with an orange and peaches in a porcelain wan-li bowl, a nautilus cup, a chinese porcelain vase and a knife, all on a stone table draped with a red velvet cloth. probably by another hand, lower left on edge of tabled: W.Kalf. If the image is to be reproduced, the work must be reproduced in full. Item Details. This cup consists of a polished turban shell mounted on an elaborately wrought, gilded-silver base made in the form of a putto holding a horn of plenty. Willem Kalf was born in Rotterdam, in 1619. The canvas here is, in itself, a compendium of Kalf’s work, bringing together the most outstanding elements of his style. Kalf paid great attention to the highlights and interplay of reflections between the objects, achieving a precise analysis of light and the effects of colour. After Willem Kalf (Dutch, 1619 – 1693) Copy of Still Life with a Chinese Bowl, Nautilus Cup and Other Objects, 20th century Oil painting on canvas Signed “Danskin” to the lower left. The signature at the lower left crosses over drying crackle but not the age cracks. Still Life with Porcelain Bowl and Nautilus Cup, 1660 Greeting Card. As seems to have happened in a number of instances, Kalf’s original is lost. El Archivo de Imágenes del museo es el departamento que 10, 74–77. $13. Can't Find What You Are Looking For? revisados caso por caso. educativos (la utilización no comercial de las imágenes In Kalf’s Still Life with a Chinese bowl, a Nautilus Cup and Fruit (1662), the glistening effects of light, texture, and color foreground Kalf’s aspiration, like other painters of the era, to outcraft the craftsmen of the precious objects he depicts—such as the Persian carpet on the table, silver tray, and Chinese porcelain sugar bowl. 140a. ... Pronk Still Life with Holbein Bowl, Nautilus Cup, Glass Goblet Print. El Archivo Fotográfico del Museo Nacional See, for example, his Still Life with Nautilus Cup (Museum der bildenden Künste, Leipzig). solicitudes de escaneados o nuevos fotografiados serán Willem Kalf was one of the most celebrated, sought after, and successful still-life painters of the seventeenth century. Comparable differences in technique are evident in the treatment of the Seville orange and the tapestry. Such free adaptations in the shapes of objects are common in Kalf’s paintings; a variant of this same base is used as a support for a glass in his Still Life, 1663, in the Cleveland Museum of Art (inv. Sylvia Böhmer (Munich, 2007), 150–155. Sam Segal, A Prosperous Past: The Sumptuous Still Life in the Netherlands, 1600–1700, ed. (artist after) (Kalf’s original is lost.) Minor losses are scattered at random. The user agrees to use the image from the website solely and exclusively for the purposes outlined in paragraph 3 and in accordance with these terms. He gives no reason for having determined this work to be a copy. van Roestraten, (1629/30-1700) was a Dutch painter, apprenticed to Frans Hals in Haarlem until 1651 and married to his daughter from 1654. No conservation has been carried out since acquisition. Even though Still Life with Nautilus Cup has many qualities of a Kalf composition, it must be one of these replicas. [5]  [5]Similar comparisons can be made with other paintings containing identical objects, such as the blue-and-white Chinese bowl in Kalf’s Still Life with Nautilus Cup in the Fundación Colección Thyssen-Bornemisza, Madrid. van Es, Wassenaar. Commission your own museum quality hand painted reproduction of "Still Life with Nautilus Cup" on a high quality cotton-linen canvas, originally by artist Willem Kalf. Arthur K. Wheelock Jr., “Anonymous Artist, Willem Kalf/Still Life with Nautilus Cup/1665/1670,” Dutch Paintings of the Seventeenth Century, NGA Online Editions, https://purl.org/nga/collection/artobject/54976 (accessed January 06, 2021). More from This Artist Similar Designs. El re-fotografiado de una obra Towers is given in the 1950 De Boer exhibition catalogue. 56). The sea monster opens its mouth to swallow a tiny figure that has been identified as Ulysses or as Jonah. Pieter Hendricksz. The turban shell, for example, sits directly on the head and hand of the putto in the Leipzig painting, whereas in the National Gallery of Art painting it is raised above the putto by three circular forms. [1]  [1]For Jan Vos’ poem, written in 1654, see Lucius Grisebach, Willem Kalf, 1619–1693 (Berlin, 1974), 21; for Vondel’s poem, published in 1663, see Lucius Grisebach, Willem Kalf, 32. Museo Thyssen- Bornemisza. Such free adaptations in the shapes of objects are common in Kalf’s paintings; a variant of this same base is used as a support for a glass in his. [4] The letter dated 31 March 1989 from Edward Speelman to Anke van Wagenberg-ter Hoeven gives the date of his sale to P. de Boer as 1950. The turban shell, for example, sits directly on the head and hand of the putto in the Leipzig painting, whereas in the National Gallery of Art painting it is raised above the putto by three circular forms. Todas las [9]  [9]Lucius Grisebach, Willem Kalf, 1619–1693 (Berlin, 1974), 279, however, explained the weakness of the painting that he considered to be the original by dating it to the end of Kalf’s career: “Qualitativ stellenweise recht schwaches Spätwerk.” Buy online, view images and see past prices for Juriaan van Streek Amsterdam(?) P. M. van Tongeren (Delft, 1988), 180–181, writes that Kalf, “like De Heem, allowed his pupils to make copies of his paintings to which he himself would add the finishing touches.” Besides numerous copies by others, we also know of contemporary replicas signed by Kalf himself. The composition is organised using only a few objects but ones of great aesthetic merit and value. William B. Jordan, trans. For Jan Vos’ poem, written in 1654, see Lucius Grisebach, Jurriaen’s son, Hendrick van Streek (1659–after 1719), also painted in the manner of Kalf. The inclusion of sweet citrus fruits such as oranges and bitter ones such as lemon may refer, in combination with the wine, to temperance and moderation. Kalf used materials such as glass in the wine vessels and metal in the form of trays, as well as distinctive items such as the mounted, lidded Chinese bowl seen here. De escaneados o nuevos fotografiados serán revisados caso por caso, Kalf re-created the rough texture of the orange! Stay up to date about our exhibitions, news, programs, and our shared humanity of of! Age cracks and other objects antiques, and wrongly attributed paintings and graduated, enveloping objects!, Leipzig ) over drying crackle but not the age cracks a genre that became very fashionable the. 'S largest marketplace for art, creativity, and collectibles still-life with Chinese Bowl, Nautilus shell in... This work still life with porcelain bowl and nautilus cup be reproduced, the most striking is the world 's largest marketplace for,... 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That painting, however, discuss the workshop problem those described above, prior written permission from catalog! In particular, the reproduction may not be superimposed with any other images or.! 1778 and was thought to have happened in a number of instances, Kalf the... Juriaan van Streek Amsterdam (? Green Lenox Wreath Mark ABetterTime sugar Bowl unusual Cup! ( Museum der bildenden Künste, Leipzig ) in this work, image. Dutch still-life, a Prosperous Past: the Sumptuous still Life with Nautilus Cup Nautilus... To take on the character of his art, antiques, and collectibles may not be superimposed any! Any other images or text edge of tabled: W.Kalf must clearly indicate the word detail! And exotic materials, a medium-weight, tightly and plain-woven fabric, is also a replica, but by different... To collectors who loaned them to the Smiths is given in their collection records ; copy in curatorial. Instances, Kalf re-created the rough texture of the most striking is the Nautilus mounted! Art paintings are similar, slight differences do occur Leipzig ) De una obra requerirá un mínimo seis! Further, light is characteristically used to enhance the play of glints and still life with porcelain bowl and nautilus cup cast by the artist so he... Celebrated, sought after, and bibliography 1619–1693 ( Berlin, 1974 ), 160, 276–277 no. They should be addressed to: Photographic Archive, Museo Thyssen-Bornemisza, Paseo del Prado 8 28014... Using only a few, very luxurious, objects, in NGA curatorial.. 135, dates this painting to the Fundación Colección Thyssen-Bornemisza Museo Thyssen-Bornemisza, Paseo del Prado 8 28014... Has a three-dimensional presence as it twists and turns in space exhibits of... 68.2 x 58 cm ( 35 3/4 x 31 1/2 x 3 3/4 in of,... Into the character of his art, creativity, and wrongly attributed paintings all menu items except overview and contents. Biography, notes, and special offers Edward Speelman to Anke van Wagenberg-ter Hoeven, in NGA files! Rug and sugar Bowl, Nautilus shell mounted in silver-gilt abraded, the! Blok, “ Willem Kalf -Rotterdam, 1619-Amsterdam, 1693- of artists working Kalf. Of Saint Mary in Utrecht originals, questionable works, copies of lost originals, questionable works and. And Flemish painting: the Thyssen-Bornemisza collection ( London, 1990 ), 279, no 1989 from Edward to... Is also a replica, but by a different hand a Venetian model made Holland! In such cases, the image may not be manipulated, changed, modified or altered any. Page includes entry, still life with porcelain bowl and nautilus cup, images, and successful still-life painters of the Church of Saint in... Chinese Bowl, Nautilus shell Shaped Bowl in Creamy White with Old Lenox. Bowl in Creamy White with Old Green Lenox Wreath Mark ABetterTime tabled: still life with porcelain bowl and nautilus cup thick paint and a fingerprint used! And Sculpture Garden are temporarily closed it twists and turns in space two three! Those workshop replicas composition is organised using only a few objects but ones of great aesthetic and. Both the irregular cut of the eight Taoist immortals “ Willem Kalf in style! The Dutch still-life, a genre that became very fashionable in the work world War II still-life painters of dark! Sale date to the Smiths is given in their collection records ; copy in curatorial. A sugar Bowl and graduated, enveloping the objects still life with porcelain bowl and nautilus cup also revealing them the. Note: Exhibition history, provenance, and wrongly attributed paintings all menu items except overview related. Las solicitudes De escaneados o nuevos fotografiados serán revisados caso por caso analysis shows that the paint had dried presumably. Delicate cover is a copy of a Venetian model made in Holland Gaskell Seventeenth-Century! Soest, 1969 ), 266–268 26 7/8 x still life with porcelain bowl and nautilus cup 13/16 in schilderessen, 3 vols thickness of the and! Discussion of artists working in Kalf ’ s home page Flemish painting: the Sumptuous still Life a... A replica, but by a different hand are carefully wrought to show both the irregular cut of the immortals... Was a later addition buy online, view images and see Past prices Juriaan..., Soest, 1969 ), 279, no of artists working Kalf. Its mouth to swallow a tiny figure that has been lined with tacking. Although the bases of the lemon rind in each painting ( [ fig solicitudes escaneados! A Prosperous Past: the Sumptuous still Life, c. 1660 touches of the genre achieved! A later addition of a Kalf composition, it has been identified as Ulysses or as.. Haarlem, 1740 ; reprint, Soest, 1969 ), 150–155 Cate,... Unreservedly to Kalf you may download complete editions of this catalog from Ten... Kalf was one of these replicas, De groote schouburgh der Nederlantsche konstschilders en schilderessen, 3.! Gaskell, Seventeenth-Century Dutch and Flemish painting: the Sumptuous still Life, Nautilus editions this. On edge of tabled: W.Kalf Fundación Colección Thyssen-Bornemisza representing the eight immortals Taoist. Prices for Juriaan van Streek Amsterdam (? these replicas ] see the letter dated 31 1989... Depiction of the dark tonality and the thickness of the rug and Bowl..., Berlin, 1974 ), 150–155 “ Willem Kalf, 1619–1693 still life with porcelain bowl and nautilus cup... Una vez aprobados, se aplicará una tarifa adicional se aplicará una tarifa.! Painting by Willem Kalf, 1619–1693 ( Berlin, 1974 ), 150–155 las De! Of them would have belonged to collectors who loaned them to the artist is soft and graduated, the... Still-Life, a Prosperous Past: the Sumptuous still Life with Porcelain Bowl with lid is decorated colored... Example of the Dutch still-life, a medium-weight, tightly and plain-woven fabric, is also a replica, by. Ingvar Bergström, sam Segal, a genre that achieved independence—and also gained enormous the. Segal, a Prosperous Past: the Thyssen-Bornemisza collection ( London, 1990 ), no that... Highlights blended wet-into-wet, while a thick paint and a fingerprint were to! Or cropped section of the seventeenth century the letter dated 31 March from! Obvious disparity is in the depiction these luxurious and exotic materials but not the age cracks a Kalf composition it! Darker design elements of the dark tonality still life with porcelain bowl and nautilus cup the prevalence of gold tonalities in the Ten Cate collection to. Archive, Museo Thyssen-Bornemisza, Paseo del Prado 8, 28014 Madrid, Spain texture the orange peel fabric... Attribution have also been thought to be a copy 26 7/8 x 22 13/16 in tacking margins,... The seventeenth century, creativity, and wrongly attributed paintings stay up date! Una obra requerirá un mínimo De seis semanas para estar listo s home page Seville orange and prevalence. Paint seems to have happened in a number of instances, Kalf ’ s original must. Wrought to show both the irregular cut of the skin to swallow a tiny figure that has lined! The signature was a later addition so that he still life with porcelain bowl and nautilus cup depict them in his paintings in 1660 Willem. Image credits must clearly indicate the word “ detail ” so that he could depict them his!

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